Hokkaido

Any info on the Nord Lead patches and the distorted organ? https://www.youtube.com/watch?v=dFmNHi325PY&t=0

This is how you recognize excellently mixed and produced music - hidden vocals, thickening (pitch shift duplicates), samples/textures mixed into the background etc. This is why I love Rammstein. So many layers! Bobo's vocals in Nebel are superb! It's really great to hear them so close in the audible foreground. Otherwise, I recommend Eifersucht: This song is full of strange effects and vocal doubling. Excellent work! This phenomenon also reminds me of broken headphone jacks or wired headphones that aren't plugged in properly: Sometimes frequencies in a song become audible tha

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Maybe it's the second layer - the loud part is very breathy:

The Haifisch whale is the same sample from 5/4 - the Datafiles or Distorted Reality 2 ones fit better

That's Creepy, too: it's a sampled scream with whale character. No scream from the Sound Ideas library really fits...

My version has only one CD? https://www.spectrasonics.net/products/legacy/distortedreality1/list-akai.php It's Partition A / A15

I think "Creepy" from Distorted Reality was used in LIFAD (scream): https://mega.nz/file/6A9lhITB#4ovAudHnKhgCzn-NPxaPOE0j3aTLN5AGYZKamZuuCcA "Zweep" from Distorted Reality is very useful for the Spieluhr lead: https://mega.nz/file/zMUnWS7J#Yn13txIEmN3DDuwcvLogYi997c1pNiZ7YsKpDqRzfTA

Just sample this part and play with pitch: https://ibb.co/zhvH4M45

The Wolf sample and Solo are two different effects

Great info, that really pushes the "bird tweet"

I just noticed that the sweep pad in the Heeeeerzeleid scream part has a very similar characteristic to Chroman Inst with the necessary Ensoniq effects. Is it by any chance the same patch? The LaB version sounds like the Rammstein Intro bell pad / Emeperor?!

Just saw that it is in the 'Best of CMI' path. So it was originally a Fairlight CMI sample and Emax copied/emulated it?

By the way: This version has nothing to do with Der Riecher from 1994. The baaah sample has completely disappeared, the drum and bassline is much crisper in this recording session. Probably because Olli's real bass recording sounds a bit warmer and more natural and these hard industrial samples were later softened, deleted or mixed more quietly.

Very useful: At the marker: 6 tracks / 2 breaks on mute. What I can hear: Alesis drums (1), bassline (2), dog-bass (3 - seq lo), strange voice samples that goes: baaaah (should be break 2) If the scene is not cut and the marker continues to run in real time, they probably demute the other two breaks (mellotron choir, the main sequence loop). Therefore we should find these patches in the Emu Emax